The talented musician, one half of the pioneering 1980s synth-pop duo Soft Cell, has passed away at the age of 66.
Alongside vocalist Marc Almond, the pair achieved a global success with their cover of Gloria Jones' the classic track Tainted Love in 1984, and their first record their initial full-length release is considered a seminal work of electronic music.
He later formed the pioneering techno group The Grid, who achieved popular acclaim with 1994's the hit Swamp Thing.
Ball passed away calmly in his rest at his residence in London on Wednesday 22 October, only a short time after performing a featured performance with Soft Cell at the Rewind Festival in the Thames-side town.
At that performance, Ball appeared in a mobility chair, as he had for the previous couple of years, after a period of ill-health.
"I ended up injure myself significantly," he stated in 2023. "I fractured spinal bones in my spine and cracked about five ribs and broke my wrist."
Following contracting pneumonia and developing sepsis, he was placed in an induced coma and stayed in the hospital for half a year.
Nevertheless, he had been in "high spirits mentally" over the warmer months, as he worked on a new album with Almond, titled Danceteria, which is set for publication in the coming year.
"He was concentrated and very pleased with the new album that we actually completed only a few days ago," stated the singer in a heartfelt message.
"It's truly heartbreaking as 2026 was completely planned to be such an uplifting time for him, and I find comfort from the knowledge that he listened to the finished record and believed that it was a masterpiece."
Almond described his collaborator as "a wonderfully brilliant musical genius", adding: "He was the core essence of Soft Cell and I'm very proud of our body of work.
"Thank you Dave for being an immense part of my life and for the songs you gave me. I wouldn't be where I am without you."
Richard Norris from The Grid, also paid tribute, recalling Ball's "constant humor" and "unwavering friendship".
"Being in a partnership with someone is different from being in a group, the bond is incredibly close," he continued.
"That was the case with us. We experienced so many remarkable, extraordinary, memorable moments together. Thank you, Dave."
Brought into the world into a one-parent family in Chester in the late 50s, Ball was given up for adoption when he was a year and a half of age.
He was raised in Blackpool with adoptive parents Donald and Brenda Ball, who changed his first name from his birth name to David, alongside his sibling his sister, who was similarly welcomed.
He encountered Almond at Leeds Polytechnic in the late 70s, where they were both studying art. Fuelled by a mutual passion of a music genre, they established Soft Cell the very year, and quickly recorded an EP.
The duo were an distinctive combination: Ball was the quiet musician, bent over his keyboard, while Almond was a flamboyant performer, all glitter and makeup; but they attained a rare creative synergy.
Ball had developed a fascination with synthesizers after viewing Kraftwerk perform on a television program Tomorrow's World, and began to marry dark electronica to the soaring melodies Almond was composing.
Tainted Love became the UK's second biggest-selling single of the early 80s, shifting millions of copies globally. Alongside successful tracks by other artists, contemporary bands and electronic acts, it contributed to cleared the way for the synth-pop sound of the 1980s.
The song was also included on their first album, Non-Stop Erotic Cabaret, which spawned two additional high-charting singles: Bedsitter and Say Hello, Wave Goodbye.
They continued the record up with the separate release, Torch, which peaked at the second position in 1982.
Success had its benefits. "I enjoyed being able to afford my initial property, having financial security and travelling, which makes me sound like a Miss World," Ball recently told with a music magazine.
But it also caused problems. "Newfound wealth allowed we could purchase substances to alleviate the monotony" of media interviews and TV performances, Ball explained.
"I realize that's a common saying, but it's a cliché for a valid cause, because it applies for so many musicians."
During the hedonistic lifestyle, the pair were also growing distant, but they managed to produce a follow-up classic album - the wayward, tense and aptly-titled The Art Of Falling Apart.
They put out one more album, their 1984 release This Last Night In Sodom, before ending the group to concentrate on other projects.
Almond proceeded to have a prosperous individual path, including the top 10 hit Something's Got A Hold Of My Heart; while Ball created The Grid, who mixed dance music with melodic sounds over a long-lasting partnership.
Soft Cell reunited in the early 2000s, producing the Top 40 record Cruelty Without Beauty.
Following another hiatus, they returned in recent years, issuing the original singles Northern Lights and Guilty (Cos I Say You Are) before performing what was intended to be a farewell show at the O2 Arena on 30 September, 2018.
However, they stayed active, recording their fifth album, Happiness Not Included, during the pandemic Covid lockdown.
Ball lately described the duo's new album as a tribute to the NYC nightlife they visited while recording their initial records.
He noted that his time in medical care had influenced the group's music.
"I experienced strange recollections when I was coming and going of the hospital because I was on morphine," he explained to a music magazine.
"The new songs are a electronic representation of the noises in my mind from that time.
"Simultaneously, it's about the times we got up to in the 80s."
The last versions were completed only days before Ball died. It is due for release in the spring of 2026.
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